The Life and Times of a Fat-tailed eBook

After I wrote my first novel, Tokyo Zero, I bounced it off a few literary agents: like you do. I got the pat on the head of being told it was well written but they didn’t think they could sell it. I didn’t have the will to rewrite or remarket it – I wrote it in one solid ‘take’, like recording live with a band, and I didn’t want to mess with that. However, a while later I came across what Cory Doctorow was doing with his novels: putting a Creative Commons version and letting it out in the wild. So I put together a PDF in InDesign and put it on my hokey old earthlink homepage and then dropped Cory a line. He was cool enough to mention it on BoingBoing and then this got me about 10,000 downloads. I did my best to stop this by changing the title shortly after the BoingBoing post went up…

That was 2005. Over the next two years I got 3000-ish, then 1000-ish downloads from the earthlink homepage. I was pleased that at least a few people must be reading it since I was getting nice emails and rude bulletin board postings about me.

During this time manybooks.net picked up the book. They were my main source of downloads from 2006 – 2008. It was fun to see myself occasionally right behind Ulysses on the top 20 list.

2008 was a dark year for Tokyo Zero. I had moved to Paris in 2007, was starting to write again and not really thinking much about my old book. I did get numerous requests for a paper version, so I set that up via amazon and sold less than 100. Other than that, Manybooks had trickled down to just a couple of downloads a day. When I did look at how TZ was doing, I thought that I had just kind of reached the end of the long tail of the book.

Then in 2009 something happened which was the iPhone/Kindle driven ebook mini-boom. Suddenly a lot of copies of Tokyo Zero were being downloaded by services like Feedbooks where fans of the book had uploaded it. Also, it was featured book of the week on manybooks, and a favorable review of the book appeared on Teleread. This spike of interest made me think that I should start blogging a little, since I was hoping to launch book number 2 in 2009 and thought it would make sense to get a bit of buzz about me as opposed to just my first novel. I haven’t put a huge amount of work yet into making myself into a ‘brand’ but once Novel Number 2 [working title 'This Unhappy Planet'] appears this winter I will be shilling fervently.

So this year has seen the renaissance of Tokyo Zero. If I keep at my current pace I’ll hit 30,000 lifetime downloads of Tokyo Zero next week [that I know of], and nearly a third of that will have come in this, the 5th year of its availability. I met a successful French literary author who told me that selling 6,000 copies is a success in his circles. Of course who knows how many people have actually read their download and of course I have made basically peanuts off the book, but for a novel that I have thought was dead twice, I am quite pleased.

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JG Ballard will never die

He died today. His ability to capture the role of trauma in our lives was unmatched. Genius. Condolences to his family and more emotional fans.

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Kindle=Nanny State or Big Brother

Apple customers are happy in the way that would make people suspicious if they were, for example, North Koreans. After all, unlike WIndows users, they don’t have freedom of choice, their OS is locked to their hardware, they have to buy their music from iTunes etc.

Can Amazon + Kindle achieve this happy state? The first requirement  is to make it so that both parts of hardware + software/service bundle are great. The Kindle hardware looks good and the Whispernet service works well, so they are in good shape so far. The next thing is to give the customer just enough freedom. With iPods, the fact that you can buy and rip a CD or go and steal an MP3 and load it up means that not so many people ever need to ask why they can only buy music directly from Apple.
Amazon are not going that route: ePub is the nearest thing to MP3 for eBooks and they not supporting it. No one can ‘rip’ their paper books.

So at some point, will this lead to frustration/backlash? Left to its own devices, probably not. MP3 players were lapped up by alpha geeks who had already ripped their CDs and discovered Napster. Kindle is selling to the crown that reads SkyMall and still can’t quite believe you can fit 100 books in your carry-on.

Sony needs to step up their game and sow the seeds of discontent. Their partnership with Google to provide open source books is step one.
(Step two should be to include creative commons books. Step 3=Bundle Tokyo Zero on each Sony Reader.)

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Get your €s out! Tokyo Zero now in print in Europe

My fellow Europeans, I have cut a deal with lulu.com to do a print edition of Tokyo Zero. You can find it at http://www.lulu.com/content/paperback_book/tokyo_zero_a_novel/6412573

I have to say, it is a bit on the pricy side at €18 but I guess that is typical for non-mainstream fiction. And that is 281 pages of off-white perfect-bound non-mainstream fiction you’re getting.

They also gave me a free button…

Support independent publishing: buy this book on Lulu.

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“How should I get Tokyo Zero?”

People come up to me on the street and they say… “Où est la tour Eiffel?” and I tell them. But if they knew who I was, they would come up to me and say “Marc, I have heard that your novel Tokyo Zero is worth a read but I can get it from amazon.com, manybooks.net, feedbooks.com, smashwords.com and even on your blog? What am I to do?”

Well…

If you want paper, then amazon is your best choice, although it is US only for the moment..
Kindle-rockers should get it from the Kindle shop. It is so cheap that it is hardly even worth the bother of getting it in Kindle format from one of the below links. I mean come on… you spent 400 dollars on that Kindle.

If you have an iphone, then like I wrote, the Stanza application is very nice so you could get it for free via the Stanza library.

But if that is just too free for you, then take a look over at Smashwords. They have all of the formats for all of the devices and I opted for a Radioheadesque pay-what-you-want policy [disclosure: I paid nothing for “In Rainbows”] While you are at smashwords you can browse around and find a range of deranged fictions of whom I don’t know whether they are acts of vandalism, avant-gardism or truly earnest insanity.

Or you can get the PDF right here and save yourself all the angsting. Remember though, that if you get it for free I expect you to twitter about it or put on your facebook how great I am. Is that so hard?

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Overdoing the Self-Publishing

As part of my day job I was looking at Stanza, the ebook reading application for the iPhone. It is pretty good: it even does hyphenation. It also lets you get your books direct from a bunch of sources like feedbooks.com

So of course I had to search for myself, and when I didn’t find myself then I decided to upload myself. I love a bit of structure so I slogged through slicing the book into 46 cut and paste chapters as instructed, each time thinking: I must be doing this wrong.

Then anyway, it was all done and I thought lets see what else is out there and there I am at number 2 in the most-popular download chart. Oh, bittersweet learning.

Well, I’ll count that as day job work. Many thanks to “cyoshio” for the upload.

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Young Liars: the comic you have to buy monthly

Young Liars by David Lapham is great. It’s a bit David Lynch, but it is also a bit Mike Baron, a little bit Garth Ennis and even a little bit ‘Get your ass to Mars!’ But what I think is exceptionally great about it is the way it uses the serial form.

Basically as well as ending practically every issue with a a WTF cliffhanger, each issue sets up a new state of truth/lie. The only way to read it without totally blowing your mind out is as a monthly, where you buy into the reality he sets up and then have a month before you get the rug pulled out.

I can’t say enough about this masterpiece work that is revolting, sexy, funny, depressing and 100% rock and roll.

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A post on a review of book called Content

{I started this as a comment over on Court Merrigan’s blog but it got so grotesquely bloated I felt impolite to blog hog him… so go and read his review first if you haven’t. So Court was bothered by Cory Doctorow’s book ‘Content’}

I haven’t read ‘Content’, so maybe Cory D is trying to go mainstream with his argument here, but on the whole I think his role is to speak ‘up’ rather than down: which is to say he works best as an irritating reminder in a CEO’s ear that there are just basic logical flaws in their DRM. He does a good job at that.

As for stirring up the masses to rebel against DRM, I hope no-one is trying to spend their life doing that. The fact of the matter is that currently DRM is only an issue in fairly luxury items like music, movies etc. and that most people have much less complicated media consumption lifestyles than alpha geeks do: they aren’t constantly shuffling ‘content’ between multiple ‘devices’ bought in multiple ‘regions’ with multiple ‘OSes’. They use windows, they have an ipod, they steal some music when they want, they buy some when they want and they are more or less all right. (I am more at the alpha-geek end of the spectrum, and the one time I bought music from the iTunes store I have ’suffered’ quite a bit of DRM friction, so I was one of the people who stopped shopping there and went to Amazon instead. So thanks Cory for looking out for me!)

Where you have to applaud Cory is the work he has done to popularize the notion of the commons as a way of enriching culture. And though he is starting to suffer a bit of a backlash at his occasional proposal that writers make their money via their rock star public appearances and not royalties, I think that the emergence of alternative writing distribution models is/will be a beautiful thing.

One more thing: I don’t know if I would agree with Cory Doctorow that ONLY Sci-Fi fiction will get stolen [assuming he said that...], but I agree that it will be the canary in the coal mine. Cult/Genre fiction has the kind of people who will do manual labor to free it and evangelize it. That’s why comic book piracy affects practically 100% of content published today and within the last 60 years in America. After the canary, the first miner to die seems like it would be a Nabokov type of writer who inspires fanatics to read and obsess over their entire oeuvre. But once there are enough ebooks around that they can get cracked without any labor, then it’ll be like music today where you have people uploading music they don’t even like just because why not.

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One more thing about Erik Ryman

okay… 2. 

Number 1 is that I came across his work because he gave me a good comment for Tokyo Zero:

An excellent and thoughtful book that either Murakami would have been proud to write.

Number 2 is that his blog is well worth reading.

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Review of “Doggone” by Erik Ryman

Doggone is a creative commons novel and a good example of what happens when writers decide to circumvent the traditional publishing system. You get the pure stuff. Possibly too pure, depending on taste.

Doggone is the kind of novel that usually you would review by listing all of the crazy, unpredictable and repulsive stuff in it and saying that you go on a wild tour of all that stuff. It’s temping to do that because it is less a novel of characters, plot etc. than parodies and extrapolations of what happened to England during the last decade or so. The triumph of CCTV, the paranoia, the devaluation of money, the crowning of vulgarity.

The style reminds me most of Irvine Walsh at is his most intense. The first third of the book is probably the best when Ryman has his foot on the time-pedal at just the right speed. The mid section is pleasantly appalling. The final third spends a bit too much time on a plot that it didn’t really need and accelerated into hyper-compressed symbolism faster than I could follow, but it is definitely in tune with the rest of the book.

I enjoyed reading this.

Get it at http://www.erikryman.co.uk/

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